2017 Keynote Speakers Nominations
Nominations for invited speakers/keynotes for Code4Lib 2017 in Los Angeles. Please include a description and any relevant links and try to keep the list in alphabetical order.
Please follow the formatting guidelines:
== Nominee's Name == Description of no more than 250 words. [[Link(s) with contact information for nominee]]
Jane Doe (example)
Jane works at ________, doing _______.
Some pertinent history/biography/hyperlinks that elucidates why Jane would be a good keynote speaker.
Paul Ford is a Brooklyn-based writer and web technologist. He often writes about the web, archives programming, the nature of information, and living in the information age. Past projects include tilde.club and the semantic web-ified harpers.org (back in 2003). Ford's 30,000-word article What Is Code? was the entire June 11, 2015 issue of Bloomberg BusinessWeek. Learn more at his website, on Twitter, or on Medium, or watch his talk at XOXO 2014 or his interview on Charlie Rose. Paul was also interviewed at at In the Library with the Lead Pipe, along with Gina Trapani.
Wendy Hsu is a researcher, strategist, and educator who engages with hybrid research and organizing agendas for equality in arts, technology, and civic participation. A former ACLS Public Fellow, Hsu currently works as the digital strategist of the City of Los Angeles Department of Cultural Affairs, providing research and strategy to redesign the department’s data and knowledge architecture. Hsu is also the founder of Lab at DCA, a city staff innovation incubator.
Hsu has published on digital ethnography, sound-based pedagogy, public humanities, open access publishing, Asian American indie rock, Yoko Ono, Taqwacore, and Bollywood. Their academic research on street sound cultures in postcolonial Taiwan focuses on the urban underclass experience of mobility and low-resource technology. Their civic sound data project LA Listens explores the sensory, social, and ecological aspects of Los Angeles streets by providing a creative and engagement platform for community-oriented artists, planners, and organizers. Most recently, Hsu led the maker collective Movable Parts through Movable Karaoke, a Metro-funded project that evokes and explores the collective mobility experience in LA.
Bergis is the University and Political Papers Archivist at University of California, Riverside, and is the Community Lead for Documenting the Now, which focuses on ethically collecting and preserving social media content. Background reading - Documenting the Now: #Ferguson in the Archives
David S. H. Rosenthal
Greg Wilson is the co-founder of Software Carpentry, a volunteer organization that teaches basic computing skills to researchers in a wide range of disciplines. Greg has worked for 30 years in both industry and academia, and is the author or editor of several books on computing and two for children.
Gene Luen Yang
Comic artist and author, Gene Yang has greatly broadened diversity representation in comics with successful titles such as American Born Chinese, Boxers and Saints, and The Shadow Hero. In 2016, the Library of Congress named him as an Ambassador for Young People’s Literature. In this capacity, Yang has pushed a mission of 'Reading Without Walls' to encourage literacies of all types. Additionally, he has recently started a graphic novel series, Secret Coders with artist Mike Holmes. This series aims to introduce kids to actual magic they can perform at home: computer programming. As several kids try to uncover the mysteries of their school, they face puzzles and challenges that teach readers about programming.
Dragan Espenschied (*1975 in Germany) is a media artist, home computer folk musician and digital culture researcher and conservator living in New York City. Starting out as a net activist in the late 1990’s, he created several online interventions concerned with digital power structures and live network traffic analysis/manipulation together with Alvar Freude. In his artistic career, Espenschied focuses on the historization of Digital Culture from the perspective of computer users rather than hackers, developers or “inventors”. Together with net art pioneer Olia Lialina he has been creating a significant body of work concerned with how to represent and write a culture-centric history of the networked age. Since 2011, they together have been restoring and culturally analyzing 1 TB of GeoCities data, supported by the Swiss National Science Foundation. Espenschied worked with the transmediale festival’s archive and the Vilem Flusser Archive to conceptually and technically integrate large scale emulation while working as a researcher at the University of Freiburg and the University of Applied Arts in Karlsruhe. Publications include papers on large scale curation of complex digital artifacts, emulation and digital culture, the influential reader Digital Folklore as well as musical releases on Aphex Twin’s label Rephlex and several underground/net labels, performing and lecturing in between raves and museums in Europe and the United States. Since April 2014, he is leading the Digital Conservation Program at [httsp://rhizome.org/ Rhizome.]
Sonali Sridhar is cofounder of the Recurse Center (formerly Hacker School.) Prior to starting the Recurse Center in 2011, she worked as an Interaction Designer at R/GA, and has now taken on the challenge of designing experiences at the Recurse Center, as she aims to create a Bauhaus for programmers. She lives in Brooklyn, New York, and is a founding member of QUILTBAG++, a New York City-based queer and trans tech group committed to social justice. She is also part of the 2015 Creative Ecology Advisory Board at the The Banff Centre's Peter Lougheed Leadership Institute.